The Dream Inside Of A Dream By Christopher Nolan - 1683 Words

Final Paper: Descartes The possibility of having a dream inside of a dream is an idea that has been discussed far and wide. However, before Inception came out in 2010 by director Christopher Nolan, many people in the modern world may not have ever considered this idea. Nonetheless, this idea of â€Å"a dream inside a dream† has been around since 1640, when Rene Descartes published Meditations. In Inception, Christopher Nolan uses Descartes ideas to enhance the storyline of his film. In this paper I will suggest the characters Mr. Cobb and Mal, along with the ideas put forth in Inception are specifically modeled after the work of Descartes. More specifically, I will discuss how the movie is based off of Descartes dream conjecture and evil-demon conjecture. In order to better structure this paper I will first provide briefing on Renà © Descartes. Renà © Descartes lived during the sixteenth century, and is most famously known for his dream conjecture and his evil-demon conjecture. Collectively, the se ideas formed the start of Descartes’ skepticism idea. Descartes was known to refuse to accept the authority of previous philosophers, and refuse to trust his own senses. It Is said that he frequently set his views apart from those of his predecessors to challenge the world Descartes was considered the father of modern philosophy and using skepticism, he systematically deducted that our own existence is the only thing we can be absolutely sure of, coming out with his famousShow MoreRelatedThe Mind Through Way Of His Dreams By Robert Fichers896 Words   |  4 Pages Inception, the act of instilling an idea into someones’ mind by entering his or her dreams (dictionary.com). In the movie Inception Dom Cobbs’ goal is to plant an idea in Robert Fichers’ mind through way of his dreams. This is because they want him to find his dads’ â€Å"other will† so that Robert will not carry on in his dads’ footsteps but choose create his own destiny. However, Robert is not really choosing this on his own free will because the idea is being planted in his mind by someone else.Read MoreInception- Mise-En-Scene1724 Words   |  7 Pagesis the scene in the second dimension of the dream. In the other word, the scene in the hotel or Arther’s dream. Mise-en-scene will covered many details in the shot for example, setting, lighting, character casts with their performance style, costume and make up, and the props that is using in the shot. This analysis will involve only the part where all of characters are in the same room, before they are going down into the deeper dream. Cobb is disguising as Mr. Charlse, the man asRead MoreCharacter Analysis Of Dom Cobb ( Played By Leonardo Dicaprio ) Is Not Your Normal Thief1122 Words   |  5 PagesInception is an overhyped blockbuster accompanied by several moving parts that will leave you in awe, but nonetheless it s a work of art. 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Dom is running from the law, and so he gets work in high-tech corporate espionage, however we, as an audienceRead MoreEssay on The Romantic Notion of a Film Director 2217 Words   |  9 Pagesthe spectator who finds meaning in the film. I will be closely looking at critical material, primarily Andrà © Bazin and Roland Barthes and applying them to several case study films directed by Christopher Nolan including The Following (1998), The Prestige (2006) and Inception (2010), to examine whether Nolan possesses the qualities of an auteur and if so, does that imply an ideological view of what the auteur resembles or an artistic one. The term auteur theory arose in France during the 1940’sRead MoreFreuds Theories Applied in Inception1220 Words   |  5 PagesInception, the 2010 sci-fi action film, is a movie about illegal spying by entering the minds of certain individuals by sharing dreams. Dom Cobb and his partner, Arthur, use this tactic to extract or plant desired information from or into their unconscious. Mr. Saito, an exceedingly wealthy business owner, asks Cobb and Arthur to perform â€Å"Inception† (imbedding an idea inside a person’s mind without them recognizing) on his only remaining business competitor, Maurice Fischer. Saito wants Cobb to implantRead MoreInception, the Movie600 Words   |  2 Pagesonly a film that uses unique cinematography techniques but also tells a story with a big concept that one can’t comprehend right away. The concept of dreams and how one dream can effect another dream is a risky topic to discuss due being the endless possibilities and comple xities it can have. The director of Inception was none other than Christopher Nolan, as shown by the obvious concept of noir and conceptual thought that is in many of his films. Together with his partner in crime, Walter Pfister,Read MoreInception Film Analysis2544 Words   |  11 Pagesthrough their dreams. He was given the task to perform the reverse called Inception on a businessman named Fischer in exchange for having the charges against him dropped and going back to America to finally see his children again. In the process of doing his job, Mal (Cobb’s wife who already passed away) keeps on appearing in the dreams as a projection of Cobb’s subconscious and becomes a danger to Cobb and his team. CHRISTOPHER NOLAN Born in London in 1970, Christopher Nolan began making filmsRead MoreInception And The Prestige Film Analysis1835 Words   |  8 PagesChristopher Nolan is credited as being an illusionist in the way that he directs his films. Inception and The Prestige are two of his films that will keep you pausing and rewinding for the duration while you try to keep up with the complex story lines and mind bending conclusions. Both films share a dark and sinister vibe,putting them amongst the neo noir genre of films, and The Prestige being set in an ominous, turn of the century London, and Inception based around extracting thoughts from theRead MoreThe Knowledge of Human Existence: Perception, Empiricism, and Reality An Analysis Contrived Through The Matrix and The Prestige2716 Words   |  11 Pagescharacter, Robert Angier in Christopher Nolan’s The Prestige. In this â€Å"obsession† Angier finds his match with Keanu Reeves’ character, Neo in Andy and Larry Wachowskiâ⠂¬â„¢s The Matrix, whose transformation from computer hacker to an almost God like position of knowledge, stems from his obsession with defining his existence. While it is the character Neo who is lead or rises to a position where it is possible to fathom the nature of existence, it is the audience whom Christopher Nolan guides to this level in